‘Actress Brittany Murphy dead at 32′
AMY Winehouse kicked a theatre manager in the groin, yelled abuse and made children cry at a Cinderella pantomime performance.

AMY Winehouse kicked a theatre manager in the groin, yelled abuse and made children cry at a Cinderella pantomime performance.
AMY Winehouse kicked a theatre manager in the groin, yelled abuse and made children cry at a Cinderella pantomime performance.
AMY Winehouse kicked a theatre manager in the groin, yelled abuse and made children cry at a Cinderella pantomime performance.
Some actors spend hours, days, even months painstakingly perfecting accents for their roles. A great accent can enhance a performance, but an awful one can derail the whole thing. Tell us who nailed it — and who failed it.
Cathleen Falsani’s book, The Dude Abides, examines the way the Coen brothers inject elements of religion into their films, from The Big Lebowski to A Serious Man.
Writer-director Terry Gilliam was faced with a difficult decision when his “The Imaginarium of Dr. Parnassus” star diedtrash the movie or use CGI wizardry to complete it. The former “Monty Python” member instead did something completely different.
Writer-director Terry Gilliam was faced with a difficult decision when his “The Imaginarium of Dr. Parnassus” star diedtrash the movie or use CGI wizardry to complete it. The former “Monty Python” member instead did something completely different.
The director of Brazil and 12 Monkeys returns to the big screen this month with a new entry in his legendarily eccentric film catalog: a fantastical Imaginarium that almost didn’t get finished.
James Cameron’s trademark blend of grandiosity, jaw-dropping technology and cornball populism is back — and mightier than ever — in Avatar, a vertigo-inducing sci-fi epic that’s as predictable and tin-eared as it is savvy and technically adept.
James Cameron’s trademark blend of grandiosity, jaw-dropping technology and cornball populism is back — and mightier than ever — in Avatar, a vertigo-inducing sci-fi epic that’s as predictable and tin-eared as it is savvy and technically adept.
Girls, it’s time to rock and roll. A trailer for the Joan Jett biopic “The Runaways,” starring Kristen Stewart and Dakota Fanning, has hit the Internet.
James Cameron’s trademark blend of grandiosity, jaw-dropping technology and cornball populism is back — and mightier than ever — in Avatar, a vertigo-inducing sci-fi epic that’s as predictable and tin-eared as it is savvy and technically adept.
James Cameron’s trademark blend of grandiosity, jaw-dropping technology and cornball populism is back — and mightier than ever — in Avatar, a vertigo-inducing sci-fi epic that’s as predictable and tin-eared as it is savvy and technically adept.
Fresh out of ideas for his new film, a famous director turns to his muses — his wife, a mistress, a movie star and more — for inspiration. Rob Marshall’s splashy adaptation has all the razzle-dazzle display of its musical-theater roots, but as each woman takes her turn in the costume parade, the plot’s thinness becomes increasingly apparent, and Nine begins to feel less like a show than a showcase.
Fresh out of ideas for his new film, a famous director turns to his muses — his wife, a mistress, a movie star and more — for inspiration. Rob Marshall’s splashy adaptation has all the razzle-dazzle display of its musical-theater roots, but as each woman takes her turn in the costume parade, the plot’s thinness becomes increasingly apparent, and Nine begins to feel less like a show than a showcase.
Fresh out of ideas for his new film, a famous director turns to his muses — his wife, a mistress, a movie star and more — for inspiration. Rob Marshall’s splashy adaptation has all the razzle-dazzle display of its musical-theater roots, but as each woman takes her turn in the costume parade, the plot’s thinness becomes increasingly apparent, and Nine begins to feel less like a show than a showcase.
Fresh out of ideas for his new film, a famous director turns to his muses — his wife, a mistress, a movie star and more — for inspiration. Rob Marshall’s splashy adaptation has all the razzle-dazzle display of its musical-theater roots, but as each woman takes her turn in the costume parade, the plot’s thinness becomes increasingly apparent, and Nine begins to feel less like a show than a showcase.